Australian Radio Program On 'Piracy' What 60 Minutes Should Have Done

from the you-mean-actually-have-facts? dept

On Monday, we wrote about that that ridiculous attempt by 60 Minutes to do a story about movie piracy that was basically one long press release for the MPAA’s position. Facts weren’t checked, and the reporter, Leslie Stahl, didn’t bother to push back on a single claim made by any of the (all industry insider) guests. However, Boing Boing points us to a “radio documentary” on piracy that was done on Australian radio the very same day as the 60 Minutes episode aired. You may notice a major difference in that the Australian radio folks actually looked at the facts, invited on people who could refute industry claims, and actually pushed back on claims by the industry:

Adrianne Pecotic (from anti-piracy group AFACT): The fact that there is a level of illegitimate consumption of film and television is something that detracts from the revenue that could go back into the industry and could go back into supporting local video stores, local cinemas and online distribution. Theft is not justified because someone is being successful, and that’s a really important point in this debate.

Oscar McLaren (radio host): But it does seem strange that I mean, we’re told in quite apocalyptic terms often that the video industry and the film industry is really starting to hurt. I don’t imagine many people would actually be aware that the revenues are in fact going up quite steadily and have been for the past decade or so.

Adrianne Pecotic: I think the important thing about the losses that are being suffered by the film industry through piracy, is that individual investors in individual films rely on that investment in that particular film, for that film maker, or that investor as their entire revenue. If you’re looking at the analysis across the board of the whole industry and whether it is going up or whether more people are consuming films or less people are consuming films, you’re not asking the question of whether a particular film has had the opportunity to recoup its proper revenue.

Oscar McLaren: For the record, box office sales were also at all-time high levels last year, reaching nearly $1-billion.

The program also pushed back against the repeated claim that a download is no different than shoplifting:

Oscar McLaren: But many lawyers in the debate argue that stealing a physical object is very different to breaching intellectual property laws….

Jessica Litman: The difference between a song and a cookie is if I eat a cookie, then you can’t have it because I’ve eaten it, it’s gone. But if I listen to a song, you can listen to a song, your friend can listen to a song, anyone can listen to a song, and because intellectual property is capable of being enjoyed by many people at the same time, it’s subject to somewhat different rules than cookies. Or houses, or other kinds of property.

The report goes in-depth in other areas as well, including a discussion on fair use/fair dealing, the history of copyright (and how it’s often been abused in the name of artists, when it really had nothing to do with them) and the importance of mashup/remix culture. It’s the sort of report that a program like 60 Minutes could have — and should have — done, but did not. Kudos to ABC radio down in Australia.

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Comments on “Australian Radio Program On 'Piracy' What 60 Minutes Should Have Done”

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22 Comments
Killer_Tofu (profile) says:

Gotta Say

I gotta say, this makes me want to listen to the news from ABC Radio there. Although I would guess a lot of it would be local and probably have no impact on me, reporting like this helps build trust when they don’t just accept every single thing they are told.
Even NPR (who is about as much news radio as I ever listen to) sometimes (or is it most of the time?) doesn’t ask meaningful questions and push back when being told stuff from an industry whose best interest it is in to lie.

Anonymous Coward says:

The MPAA better be careful. People like super-rich executives who whine while cashing their multi-million dollar bonuses even less than they like super-rich celebrities who whine.

I like where she decides to discuss a theoretical movie, rather than look at actual numbers. I wish the host had countered by asking for a specific movie that was heavily pirated and not profitable. And then he could have followed by noting that the most profitable movies were the most pirated.

Does anyone have a link to those sort of numbers? Donwloads vs revenue vs profit?

Hulser (profile) says:

Re: Re:

And then he could have followed by noting that the most profitable movies were the most pirated.

This is a really good point. If their concern is not really on the industry as a whole, but on particular movies that are impacted by piracy, then surely she would have an example or two ready. “Wait, what? You’re now saying that it’s individual movies that are in trouble, but you can’t quote a single example of a movie that has not been profitable because of piracy? Hmmm.”

Comboman (profile) says:

ABC is a public broadcaster

Unlike ABC in the US, the Austrialian ABC is a public broadcaster (like the BBC in Britain or PBS in America). As such, they are less under the control of the copyright lobby and the chances of seeing a fair-and-balanced report on copyright is much more likely than on US ABC (owned by Disney), NBC (owned by GE/Universal) or CBS (owned by Paramount/Viacom).

Anonymous1 says:

@Comboman: Sad but true, that is exactly the case. It isn’t some sort of conspiracy, it is the way of the world. People
in power using corporate influence through the media, to shape public opinion and culture. I have perfect example from a news show I was watching last night.The channel is RT (Russian Television). They were discussing the Hauge trial of a former figure deeply involved in the Yugoslavia conflict of the 1990s. He is accused of war crimes. Yet the channel choose a very liberal/eastern apologist for comment on the trial. Even though the facts show otherwise, he made it sound like this trial was somehow unfair. The point is, if that was all I had access to as a citizen of Russia, I might believe it. Even that small exposure got me thinking about it. The truth is discovered from different perspectives. It is ufortunate, but the US system of a democratic republic has been deeply compromised by corporate interests.

bcosta (profile) says:

“Adrianne Pecotic: I think the important thing about the losses that are being suffered by the film industry through piracy, is that individual investors in individual films rely on that investment in that particular film, for that film maker, or that investor as their entire revenue. If you’re looking at the analysis across the board of the whole industry and whether it is going up or whether more people are consuming films or less people are consuming films, you’re not asking the question of whether a particular film has had the opportunity to recoup its proper revenue.”

That worry seems like one that should have always been present, long before internet “piracy” came about. Investors worrying whether their investments will generate money for them. I don’t really see how “piracy” changes this. Also, as stated above, where are these movies that were hurt by “piracy”? I seem to remember that The Dark Knight was the most pirated movie of 2008 and also far and away the most financially successful at the box office.

Josh says:

It’s amazing how the industry completely misses the mark on where the entertainment dollar is going. It used to be that there would be a line at the video store front counter waiting for the newest movie to get returned. Now in my neighborhood Hollywood and Blockbuster cannot close video stores fast enough. We have Red Box but my grocery store and all of the independent video stores are no longer renting. Were did all these customers go? I know there are even more people living in my neighborhood?

Furthermore the baby boomer’s the largest segment of the population didn’t just stop buying music because they can download it for free. Heck my dad is super proud that he figured out how to send a text message to me last week.

The simple fact is we have way more competition for our entertainment dollar and ways to entertain ourselves. My local newspaper isn’t struggling because there are less people or my local dry cleaners decided to do only online advertising. With the Internet, 300 tv channels, 100 satellite radio channels, 600 new movies a year, 200 new video games a year and piles and piles of our favorite dvd’s, cd’s and video games that we have bought over the years to turn to. Now hundreds of channells and forms of entertainment all exist and compete to make money not the piles of money movie, tv or newspapers got used to when there was less choices but nerveless many more forms of entertainment are availsble all taking a slice out of my entertainment dollar.

Mr Big Content says:

Hopelessly One-Sided

This is what happens when you let the anti-copyright attack dogs loose in a free-for-all against the hopelessly-outnumbered guardians of Big Content—it just ends up completely destroying any hope for arguing the importance of copyright. Don’t they realize how important it is to maintain and strengthen the sanctity of Intellectual Property?

But then, what else do you expect from a liberal propaganda outlet run by a socialist government?

Nick Coghlan says:

Re: Re: Hopelessly One-Sided

The ‘socialist’ crack is aimed at the Labour government currently in power, rather than a description of our system of government.

In fact, Labour are actually fairly centrist – at the moment, they have slightly more control over their loony left faction than the Opposition have over their hard right faction, and, in Australia, the major party closest to the centre is typically the one that wins elections (because there is a fairly large chunk of the voter base that isn’t committed to either party, and compulsory voting means they actually bother to front up on voting day).

The ABC is usually fairly even-handed in its reporting, but it does tend to lean slightly to the left. While this provides a bit of balance relative to the more right-wing mainstream media, it does open them up to ad hominem attacks such as those made by the grandparent poster.

DTS says:

More industry hypocrisy. They can talk all they like about how people infringe on their supposed copyright, then do an about turn and claim a piece of money they’re damn insistent is there, floating behind the supposed veil of non-commercial usage. If it’s so wrong for end users to create virtual damage on your industry’s profits, why is it that you’ve no qualms about claiming virtual money behind purposes that you’ve never cashed in on or had a direct hand in creating the movement?

chronoss says:

Media is all right wing

start showing me left media in north America excluding Mexico and ill jump up and down .
It ain’t there why? cause big business went in and bought up all the mom and pop papers and media outlets, there isn’t any NON corporate ( right wing ) controlled media PERIOD. I don’t bother with it except to pipe off my spills on sanity and truth and enlightenment. TO be enlightened you must have the capacity for compassion and forgiveness for your fellow man, neither which the extreme left or right has.

Anonymous1 says:

by chronoss

there isn’t any NON corporate ( right wing ) controlled media PERIOD

So a corporation by defintion can’t be liberal? All the liberals are so anti-corporation that they have all quit
their jobs? I have problems with the way the current corporate structure functions in America, but please….LOL
Is that sarcasm or are you just the most ignorant fool on the face of the planet? Your choice….

Oh wait. Better. You troll for a living?

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